PUBLIC ENGAGEMENTS & Partners

             Previous lectures, workshops, crits
    Yale School of Art,
    CAA 2025 New York City,
    AIGA Design Conference 2024,
    Rutgers University,
    American University of Beirut,
    Kingston University,
    UK, Typelab/Typographics 2024,
    CAA 2024 Chicago,
    Type Electives,
    SECAC 2023 Richmond, VA,
    ArtCenter College of Design,
    Design History + Theory at University of Applied Arts in Vienna,
    HASTAC 2023 Pratt Institute Brooklyn NY,
    BIPOC Design History,
    The Momentary Museum,
    SECAC 2022 Baltimore,
    NY Design Club,
    Design Research Society Bilbao 2022,
    Design History Society,
    UCDA 2022,
    A_Z Berlin,
    Letterform Archive,
    TypeWknd 2021    ,
    Köln School of Design,
    ATYPI Tech Talks 2021,
    CAA 2021,
    University of Central Oklahoma,
    Dubai’s Women in Literature Festival 2021,
    AIGA Design Conference 2020,
    ATYPI 2020, University of Houston,
    Universidad Nacional Autónoma de México.

    Previous partners
    Grand Marnier, Absolut Vodka, Carrefour, National Women’s History Museum, the Mohammed VI Foundation for Environmental Protection chaired by HRH Princess Lalla Hasnaa, Wheels Up, Danone, Renault, Peugeot, Ford, INWI, Nestlé, Enti.ma, Saham Insurance, Banque Populaire, Société Générale, Bosch, University of Florida, University at Buffalo (SUNY), Fayetteville Public Library, the Medium, Batchelor Leadership Coaching

    Selected Exhibits
    Reverberations, Ford Foundation, NYC;
    IF! Italians Festival, Milan;
    Barreira Arte y Diseno, Valencia;
    Museum of Yanaky Mansiev, Veliko Tarnovo;
    Campus Condorcet, Paris;
    Miami Art Basel, Miami, FL;
    Contact Gallery, Brooklyn, NYC;
    Type Directors’ Club, NYC,
    The Adrienne Theater, Philadelphia;
    KM8 gallery, Belgrade, Serbia;
    National Biennal Exhibition of Graphic Design, High Point, NC;
    Civic Media Center, Gainesville, FL;
    4Most Gallery, Gainesville, FL;
    Gary R. Libby Gallery, Gainesville, FL;
    University Gallery, Gainesville, FL;
    L’Uzine, Casablanca, Morocco.

Dina
Benbrahim

public engagements contact about

↓ 

w.i.p.






designer,
scholar,
educator.

Research

Reverberations Exhibit at Ford Foundation,
curated by Polymode
Presented at
Design History Society
BIPOC Design History Course
Centered, edited by Kaleena Sales
and published by Princeton Architectural Press
Contributed a book chapter “Woven in Oral History: An Incomplete Taxonomy of Amazigh Symbols”
Forthcoming book project with Lisa Maione and Alan Caballero LaZare, published with Bikini Books
Contributed a chapter and interview in the book Revealing, Recording, and Reflecting, edited by Huda AbiFarès, Yasmine Taan, Bahia Shehab and Soukeina Hachem
Mama-ing,
photo essay
with Kári Björn
Contributed with a case study on Hello Departures
Founded and directed the experimental program,
Hello Departures
What it Means to Be a Designer Today edited by Liza Stinson and Jarrett Fuller and published by Princeton Architectural Press
Interview “Teaching Design History” by Briar Levit, with Saki Mafundikwa, Ramon Tejada, and Tasheka Arceneaux Sutton
Contributed a case study
“Co-Designing Meaningful Dialogues on Sexual Harassment”
Feminist Designer
edited by A. Place and published
by MIT Press
Contributed with the chapter
“On Design Histories Woven
in Patriarchy”
Our Morocco, edited by
Lucas M. Peters and published
by Journey Beyond Travel
Contributed with the chapter,
“A Biased Typographic Collection of Tangier”
Thinking Through Graphic Design History by Aggie Toppins and published by Bloomsbury
Contributed with a case study
“Seeking Plural Narratives”